Alexandria Deters creates research-driven works that investigate the construction of memory, belief, and visibility through photography, embroidery, video, and installation. By transforming archival materials and personal imagery, Deters explores how stories are preserved, obscured, and reinterpreted over time.

Caitlin McCormack transforms crochet and fiber techniques into uncanny sculptural works that examine grief, anxiety, bodily autonomy, and the complexities of contemporary life. Through humor, craft, and unsettling imagery, McCormack considers how making can become a response to uncertainty and a way to connect with shared human experiences.

Sarah Detweiler is an American visual artist whose figurative and narrative mixed media paintings explore themes of unmasking, authenticity, motherhood, and the collective unconscious. Through painting, embroidery, and fiber techniques, she transforms personal experiences and transitions into deeply layered works that reflect evolution, connection, and emotional storytelling.

Tel Aviv-based artist Orit Fuchs creates bold, contemporary works across sculpture, painting, photography, typography, and mixed media. Through her exploration of the female figure, Fuchs examines emotion, identity, vulnerability, and the complexities of modern life. Her direct and intentional visual language has earned international recognition, with exhibitions across the United States, Europe, and Asia and works held in private collections worldwide.

Featured in the Time Capsule exhibition, Shelby Austin Tourney creates mixed media works exploring memory, comfort, and discomfort through spaces shaped by nostalgia and self-reflection.

Troy Dugas transforms fabric and fiber into immersive collages that bridge folk traditions, animal symbolism, and contemporary art. His work invites viewers into tactile, meditative worlds where strength, vulnerability, and connection converge. Represented by Arthur Roger Gallery, Dugas continues to explore texture, narrative, and self-discovery through fiber-based forms.

Leisa Rich is a Canadian experimental artist whose work pushes the boundaries of fiber art, sculpture, and interactive design. Using techniques like embroidery, weaving, tufting, 3D printing, and laser engraving, she transforms everyday and recycled materials into wall-hung artworks, wearable sculptures, and sensory environments. Rich’s practice invites audiences to engage through touch while exploring memory, childhood, and the tension between stability and change. Her work has been collected by major institutions including Delta Airlines, Hilton Hotels, and the Dallas Museum of Art.

Hagar Vardimon’s Which Way the Wind Blows series transforms found photographs through hand-sewn embroidery, creating layered images that obscure and reveal memories. Her work explores time, perception, and the beauty in everyday life, both nationally and internationally.

Sandra Keja Planken’s practice bridges art, ecology, and emotion. Working with textiles, glass, and spatial design, her sculptural installations explore impermanence, sensory experience, and our relationship with nature. Featured in AQ Volume VII, her work extends beyond the gallery, transforming discarded materials into living artworks that invite coral growth, reflection, and renewal.

Jacqueline Strano transforms garments and vintage imagery into vessels of memory, identity, and resistance. Through hand-stitched embroidery and mixed media, she merges past and present, revealing the threads that connect women’s lives across time. Featured in The Spirit World exhibition, Strano’s work invites viewers to explore the intimate dialogues between femininity, power, and ornamentation.

Lucine Kaplan transforms nylon pantyhose into evocative 2D fiber art, tracing the history of hosiery through a feminist lens. Her series Ripping the Seams combines historical narratives, contemporary commentary, and poetic context, revealing how women navigated innovation, labor, and visibility in the 20th century.

Brittney Denham Whisonant transforms personal and collective experiences of motherhood into visually rich, tactile works. Through quilts, cyanotypes, and natural dyes, her practice explores identity, domestic labor, and maternal material, creating a dialogue between tradition and contemporary artistic expression.

Debbie Lawson’s art reveals quiet magic through surreal sculptures that intertwine animals with historic textiles. Drawing from her Scottish heritage and fascination with domestic objects, her work invites viewers into theatrical narratives that challenge perception and celebrate material history. Explore her journey and recent projects featured in AQ Volume VI.

Mesoma Hammida Onyeagba’s vibrant work bridges painting and textiles, transforming salvaged fabrics into powerful visual narratives. Influenced by her Nigerian heritage and collaborative practices, Onyeagba honors identity, nostalgia, and community through rich textures and immersive storytelling. In this interview, she shares insights into her creative process, inspirations, and her ongoing exploration of representation and joy.

Suzanna Scott’s sculptural practice uses stitching, humor, and repetition to examine the complex relationship between the body and society. Through her “rage-stitching” process and body-inspired forms, Scott creates work that challenges viewers to reflect on autonomy, equality, and shared human experiences.

In the "Land and Longing" exhibition, Isabel Bonilla presents a thought-provoking collection that repurposes fast-fashion denim into tactile, ocean-inspired landscapes. Through her upcycled art, Bonilla addresses the environmental costs of clothing production and the urgent need for sustainability. By transforming discarded material into powerful visual statements, her work invites viewers to reflect on our relationship with nature and the impact of our consumer choices.

Mallory Tolcher is an interdisciplinary artist redefining the visual language of sport. In her series Post Up, she transforms basketball nets into handcrafted lace sculptures—blending strength, softness, and symbolism. Drawing from both athletic and domestic traditions, her work questions the gendered boundaries of athleticism and artistic labor. Through this unique lens, Tolcher invites us to reconsider how femininity and sport intersect.

Richmond-based artist Elizabeth Coffey brings together oil painting, domestic textiles, and stenciled text to explore the complexities of female identity. Her work, deeply influenced by a background in graphic design and early experiences with sewing, challenges the divide between fine art and craft. In this powerful artist statement, Coffey shares how lace curtains, typography, and portraiture become layered symbols of the seen and unseen.

Sommer Roman’s art draws us back to our wild, interconnected selves through an exploration of plant, animal, and human forms. Using mundane materials like post-consumer clothing and natural items, Roman creates work that dismantles disconnectedness and embraces the wild feminine. Read more about her recent exhibitions and how her art merges surrealism, craft, and feminism.

Maria Blokhina's Sadaveena collection is a stunning fusion of art and sustainability, featuring handmade fabric plants crafted from discarded textiles. With a focus on eco-conscious design and upcycling, Blokhina's work challenges us to reconsider our relationship with waste and embrace the potential for transformation in everyday materials. Explore how her art not only creates beauty but also fosters a deeper connection to the environment.