Sona Lee paints the space between familiar and unsettling. Her surrealist compositions gather fragments of memory and dream into single pictorial spaces where domestic calm sits alongside subtle distortion, and where stability and fracture exist at the same time. Influenced by Minimalism and the aesthetic of emptiness in traditional Korean painting, she uses what is absent as carefully as what is present.

Johanne Bossmann paints without brushes. Working exclusively with her hands, she spreads highly diluted acrylics across raw canvas until the pigment merges with the textile fibers in a process that is, as she puts it, irreversible and honest. The result is a series of ethereal, flowing horizons that function less as landscapes and more as invitations to breathe.

Olena Zubach’s practice exists between photography and painting, where everyday objects are transformed into sculptural, minimal compositions. Through repetition, reduction, and subtle variation, her work investigates perception, form, and the shifting nature of visual language.